May 4, 2023


Frida Kahlo: I Paint My Own Reality

"Feet, What Do I Need You For When I Have Wings to Fly." -Frida Kahlo

Early Life and Bus Accident

Frida Kahlo, originally named Magdalena Carmen Frieda Kahlo y Calderón, was born on July 6, 1907, in Coyoacán, a suburb of Mexico City. Her ancestry was a blend of German-Hungarian from her father's side and Spanish and Native American from her mother's side. This diverse heritage would play a significant role in shaping her identity as both a Mexican and a woman with European roots.

As a child, Kahlo faced adversity when she contracted polio, leaving her with a noticeable limp. However, her condition did not deter her spirit or her close relationship with her father, a professional photographer. Young Frida often assisted him in his studio, honing her attention to detail and developing a keen eye for visual aesthetics.

While her early aspirations leaned toward a medical career, Frida Kahlo's life changed when she enrolled at the National Preparatory School in Mexico City in 1922. It was there that she encountered the prominent muralist Diego Rivera, who was in the process of creating a mural for the school's auditorium. This fateful encounter would prove pivotal in her artistic journey.

In 1925, Kahlo's life took a tragic turn when she was involved in a devastating bus accident. The accident left her with severe injuries, including multiple spine fractures, collarbone and ribs, a shattered pelvis, a broken foot, and a dislocated shoulder. This traumatic event marked the beginning of her foray into the world of art, as she turned to painting during her slow and painful recovery, which involved over 30 medical operations throughout her lifetime.

Marriage to Diego Rivera and Transformation

In 1929, Kahlo married Diego Rivera, a celebrated Mexican muralist and a figure of immense influence in the art world. Her marriage to Rivera would significantly impact her life and her art. Frida transformed, both personally and artistically, during this period.

One of the most notable changes in her life was her adoption of the traditional Tehuana dress as her distinctive attire. This dress consisted of a floral headdress, a loose blouse, gold jewelry, and a long ruffled skirt. Her iconic appearance became a symbol of her Mexican identity and her connection to indigenous culture.

Her painting "Frieda and Diego Rivera" (1931) reflects this transformation. In this work, Kahlo showcases her new attire and her growing fascination with Mexican folk art. The subjects in the painting take on a flatter and more abstract quality compared to her earlier works. Rivera stands prominently, clutching a palette and brushes, representing the celebrated artist, while Kahlo, beside him, portrays the role of a traditional Mexican wife.

Artistic Evolution in the United States

The 1930s saw Frida Kahlo and Diego Rivera travel to the United States, where Rivera received mural commissions in various cities. During this period, Kahlo endured the pain of complicated pregnancies that ended tragically. A miscarriage in Detroit and the loss of her mother deeply affected her, finding vivid expression in her artwork.

In her "Henry Ford Hospital" (1932) painting, Kahlo depicted herself hemorrhaging on a hospital bed amid a barren landscape. "My Birth" (1932) dared to portray the taboo subject of childbirth, showcasing a shrouded woman giving birth. Through her art, these works demonstrated Kahlo's willingness to confront pain and suffering head-on.

First Solo Exhibitions and Surrealist Influence

Returning to Mexico in 1933, Frida and Diego took up residence in a unique house with separate spaces connected by a bridge. This residence, the Casa Azul or the Blue House, became a hub for artists and political activists. The couple hosted influential figures like Leon Trotsky and André Breton, a prominent Surrealist who championed Kahlo's work.

Breton even penned the introduction to the brochure for Kahlo's first solo exhibition, held at the Julien Levy Gallery in New York in 1938. Kahlo's art was met with great acclaim in this exhibition, marking a significant milestone in her career. The following year, she traveled to Paris to showcase her work and engage with more Surrealist artists, including Marcel Duchamp.

Her painting "The Frame" (c. 1938) was acquired by the Louvre, making her the first 20th-century Mexican artist to join the prestigious ranks of the museum's collection.

"The Two Fridas" and Reconciliation

The mid-1930s saw Kahlo and Rivera's tumultuous marriage strained by extramarital affairs, leading to their divorce in 1939. Kahlo created some of her most iconic and emotionally charged works in the same year. Notably, "The Two Fridas" (1939) is a powerful representation of her inner turmoil. The large canvas portrays twin figures holding hands, embodying opposing facets of Kahlo's identity.

One figure, dressed in a European-style wedding dress, symbolizes the side Rivera purportedly rejected, while the other, adorned in Tehuana attire, represents the side Rivera loved most. The exposed heart of the indigenous Kahlo connects to a miniature portrait of Rivera. At the same time, the European Kahlo clutches a surgical instrument seemingly to halt the flow of blood dripping onto her white dress.

In 1940, Kahlo and Rivera reconciled and took up residence in her childhood home, the Casa Azul. Despite her declining health, Kahlo remained productive throughout the 1940s. She continued to create numerous self-portraits, each featuring varying hairstyles, clothing, and iconography, but always characterized by her signature impassive, unwavering gaze.

Las dos Fridas (1939)

Decline and Legacy

Kahlo's health deteriorated in the late 1940s and early 1950s, necessitating multiple surgeries and prolonged hospital stays. Towards the end of her life, she relied on a wheelchair. One of her iconic works from this period, "Self-Portrait with Portrait of Dr. Farill" (1951), depicts her seated in a wheelchair.

Frida Kahlo's life journey ended in 1954 when she passed away at the Casa Azul. The official cause of death was documented as a pulmonary embolism.

The Frida Kahlo Museum and Posthumous Fame

After her death, Diego Rivera transformed the Casa Azul into the Frida Kahlo Museum, dedicated to preserving her legacy and showcasing her life's work. This museum opened its doors to the public in 1958, a year after Rivera's passing.

In subsequent years, the public's fascination with Frida Kahlo continued to grow, and her posthumous reputation expanded significantly from the 1970s onward. By the 21st century, she had become a cultural icon, with her life story inspiring numerous books and films. Her dramatic life, marked by a devastating accident, a turbulent marriage, sensational love affairs, and struggles with addiction, cemented her status as one of the most celebrated and recognized artists of the 20th century.

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  1. “Biografía” in Museo Frida Kahlo.[Undated]. Consultation date may 2023.
  2. Pili Egea, “Las dos Fridas, su génesis se encuentra en la O de Pinzón…” in Historia arte. 2019. Consultation date may 2023.
  3. Salomón Grimberg, “André Bretón y Frida Kahlo” in Malba Diario. 2018. Consultation date may 2023
  4. “The two Fridas, 1939, by Frida Kahlo” in Frida Kahlo Paintings, Biography, Quotes.[Undated]. Consultation date may 2023.